France’s answer to Fleabag sees Laetitia Dosch explode onto the screen as Paula in Léonor Serraille’s debut film Jeune Femme, a live-wire comedy and an excessive exercise in humour and urgency which explores modern life’s everyday misfortunes. Back in Paris after a long absence and finding the key to her boyfriend’s apartment no longer works, Paula […]
“I felt I needed to invent my cinema. With La Pointe Courte, I just jumped in, in the most radical fashion.” Anticipating the style and attitude of the French New Wave by a number of years, Agnès Varda’s directorial debut remains as fresh and as original as the day it was made. La Pointe Courte […]
Shot in Paris during the height of the Sixties, Varda’s second film Cléo from 5 to 7 tells the story of Cléo, a pop singer who passes her time drifting through different locations and conversations while awaiting the results of a vital and potentially life-changing medical examination. A forerunner to the French New Wave, Cléo from […]
During the dawn of the digital age in the late 1990s and early 2000s, The Gleaners and Iemerged as one of the first true masterpieces to evolve from the new and (at the time) relatively unexplored format. Taken from the old pastime of gleaning (collecting leftover crops from fields after they have been harvested), Varda’s […]
“I’ve had friends who’ve been very important in my life. In L’Une chante, l’autre pas I’ve told their story as if it were a novel.” After a hiatus from making feature films to focus on having a family, Varda’s return to filmmaking was largely inspired by her involvement in the French Women’s Movement of the 1970s, which […]